It’s the stethoscope and the sampler as Mike leads us through “the alien nature of [our] own interiors.” In this journey into the sounds of the body, he explores the work of corporeal sonification as music, as well the history and meaning of sounds in medicine.
There are lots of sound puns that are sure to resonate (HA!), and the pleasure of hearing Mike work his way through European names of the 19th century. Also the word “auscultation.”
Music Intro/Outro: My Body by Perfume Genius from Too Bright
Break 1: Suddenly by Herbert from Bodily Functions
Break 2: Lipostudio by Matmos from A Chance to Cut Is a Chance to Cure
And a Special Thanks to these Reasonably Sound Patrons: Hans Buetow, Xander C, Talia F E, Camilla Greer, Parker Higgins, Joe Krushinski, Tod Kurt and Ethan Rose!
It’s the birthday episode for Reasonably Sound! Celebrating 1 year, Mike dives into why he can’t lead us all in a rousing chorus of that famous Happy Birthday song that we all know and … love (?). But the copyright clampdown might be loosening in light of dramatic new evidence found (as evidence usually is) in a basement.
PLUS … an exciting new birthday announcement: We are launching a Patreon! Now you can support the show you love with more than just cheering at your phone whenever a new episode comes out. The Patreon will help Reasonably Sound grow to new and exciting places. You can see the full details at the Reasonably Sound Patreon page.
You can also find Reasonably Sound’s very own Birthday Song at Mike’s bandcamp here.
MUSIC Intro and Outro: Happy Birthday Song by Andrew Brid from andrew bird and the mysterious production of eggs
Break 1 – Smiley Monroe Break 2 – My Birth by Swans from My Father Will Guide Me Up A Rope to The sky
Mike is on a brief vacation on Cape Cod. At the beach. Where he considers why the point of the beach isn’t really the beach, but instead the strange draw of waves, water and the ocean.
The ocean as Muzak. As white noise. As a tempering force for the other parts of our lives.
* The return of gladiator games as airport TSA checkpoints
* EDM-heads calmly discussing the concept of entrainment
* The immortal line, “How’s THAT for mystical?”
* Several appropriately apocryphal Herman Melville quotes
* Analysis of which natural features care about you, and which could give a [EXPLETIVE DELETED]
It’s convention season and Mike is on the road for three weeks straight, spending a LOT of time in centers and major hotel chains. And he’s noticed how much of his life has become underscored by Muzak and the purposefully designed feelings that it is meant to evoke.
Mike explores audience, taste, morality, subjectivity, commodity, and so much more in a pastiche of readings from Theodor W. Adorno, Gawker, Taylor Swift’s Tumblr, Fashionista, Noisey, NME and Pitchfork.
The text of this episode of Reasonably Sound is entirely found. The sources are:
On the Fetish-Character in Music and the Regression of Listening By Theodor W. Adorno
Mike explores the sonic aspects of fireworks: What is an explosion, and why do they sound the way they do? These questions lead to a breakdown of combustion versus detonation; low explosives versus high explosives; the phrase “the boom is sort of like a pop with a diploma;” and a fascinating tangent about trying to learn card tricks in the ’90s.
Plus: The joys of taping a ref’s whistle to the hood of your car.
MUSIC Intro/Outro: Explosion Alarm by Mark McGuire from A Young Person’s Guide to Mark McGuire
Break #1: Firework of Echoes by Motion Sickness of Time Travel from Slow Architecture
Break #2: Firework (Jump Smokers Remix) by Katy Perry and Jump Smokers from SoundCloud Break #3: Whistle Tip (Remix) by Doo Bachary on YouTube
It’s the ice cream truck jingle. Even Mike’s hated Mr. Softee one. Mike provides the secret origin of the jingle, touching on the Great Depression, the growth of the American middle class, the Good Humor Man, refrigeration, and bobsled bells.
That part in dance music, where the music builds and builds and builds and BUILDS before the tension finally, FINALLY, gets relieved? That’s “the drop.” Mike talks about its origin, construction, and application, and tells you what P.L.U.R. means.
(Note: This is almost definitely the first mention of “foam parties” on Infinite Guest.)