Cover image by Mario on flickr
THIS WEEK IT’S ALL ABOUT SCREAMS (AAAAA!!!!) Horror and fear screams. It’s not just talking with some extra juice. There is much, much more at work. Physically and psychologically, a scream is a unique thing in human sound production.
Mike explores the what and how, and that they aren’t like shouts or yells. Plus a deep dive into what they mean. And how they function in film. Especially as delivered by women.
-Scream by 2NE1 from Crush
-Physical by Olivia Newton John, Covered by Ten Masked Men from ‘Revenge Of The -Ten Masked Men’
-The Breaking of the Scream by Jose Halac from Sonic Circuits VII
-Murderer by Low from Drums & Guns
The Hard Work of Screaming: Physical Exertion and Affective Labor Among Mexico City’s Punk Vocalists
Author(s): Kelley Tatro
Source: Ethnomusicology, Vol. 58, No. 3 (Fall 2014), pp. 431-453
‘The scream’: Meanings and excesses in early childhood settings
Childhood 2015, Vol. 22(1) 39–52
Phenomenology of the Scream
Author(s): Peter Schwenger
Source: Critical Inquiry, Vol. 40, No. 2 (Winter 2014), pp. 382-395
Nonlinear analysis of irregular animal vocalizations
Isao Tokudaa, et al
J. Acoust. Soc. Am., Vol. 111, No. 6, June 2002
Human Screams Occupy a Privileged Niche in the Communication Soundscape
Luc H. Arnal, Adeen Flinker, Andreas Kleinschmidt, Anne-Lise Giraud, David Poeppel
Current Biology 25, 2051–2056
Do film soundtracks contain nonlinear analogues to influence emotion?
Daniel T. Blumstein1,*, Richard Davitian1 and Peter D. Kaye2
Biol. Lett. (2010) 6, 751–754
The Voice in Cinema by Michel Chion, 2009
And a special thanks to these Reasonably Sound Patrons: Brandon Bennes, Hans Buetow, Xander C, Talia F E, Camilla Greer, Parker Higgins, Anthony Kirkpatrick, Joe Krushinsky, Tod Kurt, Ethan Rose, and Susan Rugnetta.