Cover image by Jeffrey Montes on flickr
It’s the stethoscope and the sampler as Mike leads us through “the alien nature of [our] own interiors.” In this journey into the sounds of the body, he explores the work of corporeal sonification as music, as well the history and meaning of sounds in medicine.
There are lots of sound puns that are sure to resonate (HA!), and the pleasure of hearing Mike work his way through European names of the 19th century. Also the word “auscultation.”
Intro/Outro: My Body by Perfume Genius from Too Bright
Break 1: Suddenly by Herbert from Bodily Functions
Break 2: Lipostudio by Matmos from A Chance to Cut Is a Chance to Cure
And a Special Thanks to these Reasonably Sound Patrons: Hans Buetow, Xander C, Talia F E, Camilla Greer, Parker Higgins, Joe Krushinski, Tod Kurt and Ethan Rose!
(Label not included with oboe purchase)
A440 is not a steak sauce, nor is it a tax form. Rather, A440 hz is the standard tuning for musical pitch. Why is that? The reasons include, but are not limited to: The oboe, church versus secular music, and the difficulty of France. Mike Rugnetta explains.
Special Thanks to Nicole He and Proprietous for their help with oboe details.
The music used in this episode of Reasonably Sound is (in order of appearance):
– Walking (In Tune), Rene Hell
– Swan Lake, Swan Theme, Tchaikovsky
– Polovtsian Dances, Borodin
– Piano Sonata 15, Beethoven (Digression Music)
– Peer Gynt: Morning Mood, Grieg
– Die liederliche Gesellschaft von allerley Humor: Allegro – Battalia a 10, Biber
– History of Performing Pitch: The Story of “A” by Bruce Haynes
– A=432hz: On the Proper Concert Pitch and a New Standardization of Tempo by Brendan Bombaci
– Why does the orchestra always tune to the oboe?
– ISO 16:1975
– Why is A4 the standard pitch reference for tuning?
– Why are orchestras tuned differently?